Going forward, I'd like to identify some basic thinking patterns which dictate the course the mythology takes. The ideas and characters and stories that I collect aren't completely arbitrary, nor is my decision to dwell on one area more than another. It's not like I really choose what I'm going to be obsessed with, or hand-pick what themes are going to haunt my day, but there is a loose guiding principle involved here. And I think I can identify it. Its name is Emanuel Swedenborg.
Swedenborg was a theologian from the 18th century who conquered every realm of science then available, exhaustively searching for the biological seat of the human soul. Failing this he went on to do some other things, before an angel appeared one day and asked him about his health. From this point forward Swedenborg claimed to live half in this world and half in the spiritual world, in heaven and hell and the places in between, all the while journaling his findings and explorations with the keen scientific mindset he'd adopted earlier in life. At first his writings were a loose collection of thoughts and observations in which he struggled to understand what was happening to him. And then, at some point he got it, and proceeded to write out thirty-seven volumes of methodical doctrine describing the internal meaning of the bible and the true relationship between the natural and spiritual worlds.
Now, this is quite a trip, and I realize that most people haven't heard about this guy before. If they have, it's probably by proxy, having read one of the authors majorly influenced by his writings. William Blake, Dostoevsky, Jung, Borges -- all pretty big fans of the Swedenborg. I've studied the man a lot (in fact, approximately half of my bachelor's degree is dedicated to his work), and I've arrived at the conclusion that there are two major conceptual repercussions to what Swedenborg wrote, and that when people read him, they tend to resonate with one or the other, occasionally both.
The first repercussion is religious: Swedenborg didn't start a religion himself, but he reframed Christianity in a major way, encouraging people to dive into the nuances of their faith, but also to live purposefully and thoughtfully. This blog isn't about religion, so I'm going to leave that there.
The second repercussion is philosophical. Despite what hangups one might have about religious thought (or not, I don't know who reads this), Swedenborg provides a world view that's pretty hard to compete with in terms of nuance and comprehensiveness. When talking to another friend who'd recently started reading Swedenborg, I thought he summarized it pretty well when admitting, "I'm not sure if there's any way to tell if what he's saying is true, but I think I could spend the rest of my life thinking about it." No matter what I happen to be processing in a given moment, there are certain Swedenborgian premises that preclude everything else. They're the starting point. And not even because I need for them to be true, or take them firmly on faith, but because philosophically, the skew they allow me to put on everything I observe is always going to be more compelling and meaningful to me than that provided by any other kind of mindset I've come across (not that I'm actively shopping for mindsets - there's only so much time in the day).
So, anyway, I'm not going to lay out Swedenborg here. Google would do a better job of that. But there are a couple points I want to hit on, that I see as the nucleus of thought around which the mythology spins. Since I'm going to do a lousy job anyway, I guess I'll pick two things.
1. Swedenborg's heaven and hell don't exist as ethereal realms that one mysteriously transports to after death. By his conception the spiritual world just exists, and the natural world (that we see and smell and feel self-important about) sits on top of it. Now, there's a lot involved in this, and if I could encapsulate it satisfyingly in one paragraph than there'd be no need to mythologize. But there are some basic repercussions to this framework that I can hit on, such as the idea that our thoughts don't exist in isolation, but are actually the influence of spirits who are with us in a given moment. When we choose to dwell on lust or whatever, our spiritual selves are simultaneously moving through societies in hell where they love that stuff, where we're encouraged to continue down that line of thinking. If we get over ourselves and forgive someone, maybe we'll hang out with angels for a while, and feel the lift of their heavenly societies. By this thinking, most people drift between heaven and hell a dozen times in a normal day, and this is par for the course for humanity. But as time goes on, and we tend to dwell on certain things more than others, we wear down a path and hang out in some places more than others. So after death, then, it's not a matter of some arcane judgment process and delegation to an appropriately themed mythological realm, but just a matter of picking which spiritual society one liked best when they were alive. For some, this is coming from a place of generally thinking that other people are swell and trying to help them out. For others, it's almost exactly like Sin City (really, whatever you want to say about that movie, I think it provides an inspired portrayal of how I think about hell). After joining that society a person gets to join in on blindly influencing people on earth, while still feeling the thrill of life and living, because the spiritual world is substantially more realistic than ours.
Simple enough, right?
I think that Jung's 'collective unconscious' does a pretty good job of making this idea consumable to people who aren't willing to bite off the whole Swedenborg thing at once, so my obsession with that (which has been documented fairly well so far in this blog) is really an offshoot of this other, more fundamental concept. And the shadow-form things that were crawling out of the hole, other obsessions that I haven't gotten into yet, they're all coming from a place of trying to articulate this concept of an underlying spiritual reality. Cuz I think it's kinda cool. Moving on.
2. This is really a cheat, because it's just another repercussion of the underlying-spiritual-world concept. The big difference between the natural world and the spiritual world (other than our natural ability to move freely and sporadically between heaven and hell like the emotional wrecks that we are) is that the natural world is tied firmly to time and space, and the spiritual world isn't. Or at least, "spiritually" (I'm getting as sick of that word as you are), time and space aren't the sticking points that they are for us. Space, actually, is just a measurement of Love, and the space between spirits is dictated by how much they're coming from a similar point of view, with similar intentions and affections. And time, really, is just a measurement of progression. So, for example, people don't clock-watch in heaven, but they do go through morning, afternoon and evening stages, but these advancements are tied more closely to internal changes of state than the metronome-railroad situation we've got here.
And I personally happen to believe that the natural world, through advances in technology and culture, is hurtling closer to the spiritual world every day in terms of how we interact with these basic dimensions. But that's a wee bit non-canonical, as in, it's my own obsession, not specifically endorsed by any religion or philosophy I've come across. But still, Time. Whew. I could talk about it for a while. It's featured pretty prominently in the mythology lately.
Showing posts with label space. Show all posts
Showing posts with label space. Show all posts
Friday, April 18, 2008
The Common Theme
Labels:
Blake,
Borges,
Dostoevsky,
Jung,
space,
spiritual world,
Swedenborg,
the forms,
time
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